Bernard J. Taylor is the writer and composer of ten stage musicals and two stage plays. His musicals have been produced around the world and translated into German, Romanian, Polish, Hungarian, Spanish and Italian. He is also the writer of 14 novels and three non-fiction books.
Taylor was born and educated in Cape Town, South Africa. His forebears included John Taylor, the first British missionary to southern Africa. He left South Africa for England in 1969 and remained in England until 1998, after which he spent a year in Australia before settling in the United States of America. He currently lives in San Antonio, Texas. [1]
Taylor has composed numerous musicals. [2]
Taylor's first musical show was Neighbors And Lovers (1987), self-produced at the Oast Theatre, Tonbridge, England. However, Taylor decided to abandon it in favour of creating a musical based on a universally known story.
Taylor selected Emily Brontë's classic Wuthering Heights, composing the music. A concept album was released in 1991 with a cast of West End musical stars including a former "Phantom Of The Opera" Dave Willetts, as Heathcliff, Lesley Garrett (Cathy Earnshaw), Bonnie Langford (Isabella Linton), Clive Carter (Hindley Earnshaw), Sharon Campbell (Ellen "Nelly" Dean) and James Staddon (Edgar Linton). It had its world premier at the Madison Theatre, Illinois, in 1993 and has since been performed in the UK, Germany, Australia, New Zealand, Poland and Romania.
Meanwhile, Taylor turned his attention to something entirely different. Success! was a backstage musical, loosely based on Faust, and set in New York. Peppered with parody and pastiche, with additional lyrics by Vivian Wadham, its typical, and often cynical, view of the ups and downs of show business was accompanied by a jazzy and sometimes tender score, with Claire Moore, Lon Satton, Kathryn Evans, Jessica Martin and Maurice Clarke forming the CD cast. The musical was revamped in 2006 and retitled "Make Me a Musical".
By the time Success! made its debut at the Civic Theatre, Rotherham, in September 1995, Taylor had returned to the classics, in the form of Jane Austen's Pride And Prejudice. With Claire Moore as Elizabeth Bennett and Peter Karrie in the role of Darcy, the concept album also featured Gay Soper, Janet Mooney, James Staddon and Christopher Biggins as Mr. Collins. Stand-out tracks, according to the Virgin Encyclopedia of Film and Stage Music (VEFSM), were considered to be "Through The Eyes Of A Child" "Good Breeding" and "Thank God They're Married". Pride And Prejudice was introduced to US audiences, complete with five new songs, by the Public Theatre Company of Peoria, Illinois, in January 1995. Taylor's musical interpretation of the Austen novel was considered to be closer to its source than the 1959 Broadway version (see VEFSM), First Impressions (Austen's original title for the book), which starred Hermione Gingold. By 2008 there had been more than 20 productions of the show worldwide in the UK, Germany, Australia, New Zealand and the USA.
This production, (with additional lyrics by Eric Vickers), included numbers such as "Wild Talk Of Vampires", "And Sheep Shall Not Safely Graze", "Worms Feed On My Brains" "Ship Of The Dead" "Blasphemy" and "Somewhere At The Edges Of Creation". Once again, the album cast was led by Claire Moore (singer) (as Mina) and Peter Karrie (as Nosferatu), supported by Mario Frangoulis, former pop star Mark Wynter, Barry James, Annalene Beechey and Simon Burke. The world premiere was staged at the Madison Theatre, Peoria, Illinois, in September 1995, and the show had its first European performances a month later in Eastbourne. The work has been translated into German, Spanish and Hungarian.
Having achieved considerable success with his adaptations on Brontë and Austen, Taylor looked to William Shakespeare's Much Ado About Nothing, abbreviated to Much Ado (additional lyrics: Vickers). The CD cast included Paul McGann (Benedick), Claire Moore (Beatrice), Simon Burke (Claudio), Janet Mooney (Hero), Barry James (Leonato), David Pendelbury (Dogberry) and Peter Karrie (Don John). Songs included "If I Could Write A Sonnet", "I'll Never Love Again", "The Sweetest Kiss", "Now I Hear Symphonies" and "This Strange Affliction Called Love" as well as the humorous "The Officers Of The Watch" and "Never Satisfied". It had its world premiere at Stratford on Avon, birthplace of Shakespeare, in 1996, and had its Continental European premiere in Budapest, Hungary, in 2006.
As the 1990s drew to a close, Taylor, in collaboration with orchestrator Gareth Price, attempted "to portray some of the key developments in the advance of civilization over the past 1,000 years" via his Millennium Suite. Performed on CD by the Polish State Philharmonic Orchestra of Latowice, conducted by Jerzy Swoboda, the suite consisted of "The Birth Of Chivalry" "The Age Of Oppression" "The Enlightenment" "The Road To Democracy" and "The Triumph of Democracy".
Encouraged by his latest reviews, Taylor composed another symphonic work, Passion's Progress, a suite of ten pieces tracing the development of a romantic relationship.
After featuring on the majority of Taylor's concept albums, Claire Moore, who has starred in the West End in shows such as Aspects Of Love and The Phantom Of The Opera, released the solo CDs, "Songs From The Musicals Of Bernard J. Taylor" and "Child Of The Earth".
The end of the decade saw the creation of Liberty: The Siege of the Alamo, which had its world premiere at the Josephine Theater in San Antonio in 2000. It was translated into Spanish in 2003 by the Mexican playwright Erick Merino, who also translated Nosferatu in 1998.
Around 2004 Taylor began work on a series of four comic operas using the music of classical composers whose music was out of copyright. Taylor said he hoped to bring the music of the classical composers to a wider audience through these works. The first of these was "Snow White and The Evil Queen", which takes the classic fairy tale and gives the "Evil Queen" a more central role. Instead of a "mirror mirror on the wall", the story features a masochistic hairdresser who acts as the queen's stylist as well as her vanity mirror. The show uses the music of Beethoven and a section of his Violin Concerto becomes a Snow White song - "No More Miss Nice Girl" - while his 5th Symphony is used for the song "Snow White Must Die". A recording of the show was made at the J.B. Sowards Theatre in Ashland, Kentucky, in 2010 and featured on Youtube.
For this show, completed in 2007, Taylor took a number of the most popular songs of Gilbert and Sullivan and incorporated them into a pastiche that incorporates many of the usual narrative elements of a Gilbert and Sullivan story—love across the social barriers, people not being who they seem to be, etc. - and weaves them into a more modern story of a corporate mogul (a Franchise King, also known as the Corporate Pirate of Penzance) who is hoping his daughter will marry into the British aristocracy, and a penniless young poet who falls in love with the daughter. The show uses music from Pirates of Penzance, H.M.S. Pinafore, The Mikado, Iolanthe, Trial by Jury and The Gondoliers, mixing the music of Arthur Sullivan and the words of W.S. Gilbert with lyrics that reflect the modernized narrative. In 2011 the Texas Light Opera Company was set up by Nicole Erwin, in conjunction with the Josephine Theatre in San Antonio, Texas, to produce the show in 2012 as the first in a series of productions of the comic operas.
In 2008 Taylor began to revamp the Cinderella fairy tale using the music of Leo Delibes, W.A. Mozart, J.S. Bach, Jules Massenet, Carl Maria von Weber, Antonin Dvořák, Luigi Boccherini, Edvard Grieg, Josef Haydn, Felix Mendelssohn, Frederic Chopin, Jacques Offenbach, P.I. Tchaikovsky, and Camille St Saens. He also composed four additional pieces of music. In Taylor's version, Cinderella is given a make-over for a reality show and gets to meet a prince who falls immediately in love with her. But Cinderella rejects the prince because she is disturbed by his obsession with whether or not her feet will fit a glass slipper. She falls for a penniless courtier who rescues her from the slave traders to whom her stepmother tries to sell her. The show ends with the couple entering and winning a national talent show.
One of Hans Christian Andersen's lesser-known fairy tales is considerably expanded and re-worked by Taylor in a comic opera using the music of Wolfgang Amadeus Mozart. This was completed in 2010. All four comic operas, plus two plays, were published in Britain by Stagescripts Ltd in 2010.
In 2010 Taylor had two plays published in Britain by Stagescripts Ltd:
A play written in collaboration with Taylor's son, Simon, it tells the story of an introverted and burned-out writer who ends a hollow relationship with a married woman at the same time he rents a room in his city apartment to an extravert out-of-towner named Rachel, a generation younger than himself. He is torn between his attraction to her, his self-consciousness and his fear of involvement. The show was chosen to kick off the 2012 season at the Overtime Theatre in San Antonio, Texas, directed by award-winning director or Matthew Byron Cassi.
This play with music was published by Stagescripts in the UK as "Hear a Song That Echoes". Inspired by the epic poem by Alfred Lord Tennyson, it tells the story of a young literary professor who keeps the world at a distance until she is challenged by the passion of a former student.
Between 1997 and 2003, Bernard J. Taylor wrote a series of self-published suspense novels set in San Antonio, Texas. There are 12 books in this series.[1] In addition he has written another mystery novel, Running in the Dark, an autobiographical Feasting with Panthers, and a non-fiction book entitled "Beyond Gay Stereotypes"